Andrew Robinson

Romantique co-director. Selected directing credits: The Matrix Theatre Company (founding member and artistic director): The Birthday Party (Backstage West award), Waiting for Godot, Yield of the Long Bond (Ovation award), Dangerous Corner, The Homecoming (L. A. Drama Critics Circle award), Endgame (LADCC award). Pasadena Playhouse: Side Man, The Glass Menagerie, and Visiting Mr. Greene. South Coast Repertory Theatre: The Beauty Queen of Leenane. The Falcon Theatre: Death of a Salesman. After graduating from the New School for Social Research, he received a Fulbright scholarship to study at the London Academy of Music and Dramatic Art. Selected acting credits: New York off-Broadway: MacBird, Futz, The Cannibals, Woyzeck, Subject to Fits; Broadway: Any Given Day, Operation Sidewinder, Narrow Road to the Deep North, Mary Stuart. He and Joel Zwick were founding members of the LaMama Plexus Troupe, which toured internationally with two plays written by Mr. Robinson, Last Chance Saloon and Spring Voices. L.A. theatre credits: the Matrix Company: The Tavern, Habeas Corpus, and the one man play Memoirs of Jesus; Mark Taper Forum: Aristocrats, Richard II, In the Belly of the Beast (directed by Robert Woodruff, LADCC award). Films: Dirty Harry, Charley Varrick, Hellraiser. Television: Incident at Vichy, The Atlanta Child Murders, The Trial of Bernhard Goetz, Liberace (title role). He played Garak, the tailor/spy on the Star Trek series Deep Space Nine, and directed episodes of that show, Voyager, and Judging Amy. Simon and Schuster published his first novel, A Stitch in Time, and he is currently writing Masks.