Rick Fisher

Lighting designer, Snow in June. Recent opera credits: Jerry Springer the Opera (National Theatre and the West End, London), Intermezzo, Madame Mao, La Clemenza di Tito, La Traviata (Santa Fe Opera), The Little Prince (Houston Grand Opera), Wozzek (Royal Opera House), Turandot (Bolshoi, Moscow), The Flying Dutchman (Spoleto Festival), La Vestale (English National Opera), Gloriana and La Bohème (Opera North), and Of Mice and Men (Washington). Dance: the award-winning Swan Lake (London, Los Angeles and Broadway) and Cinderella (London and Los Angeles) for Matthew Bourne's Adventures in Motion Pictures; and Danses Concertantes for Boston Ballet. Recent theater credits: A Woman of No Importance (Theatre Royal, Haymarket); Hamlet (Edinburgh, Barcelona, Birmingham); Honour (National Theatre), Red Demon and Peribanez (Young Vic). Other theater: Lobby Heroes and A Boston Marriage (Donmar Warehouse), A Russian in the Woods (Royal Shakespeare Company), and Blue/Orange (National Theatre and West End); as well as Disney's The Hunchback of Notre Dame (Berlin); and Via Dolorosa (Royal Court and Broadway). Winner of a 1998 Olivier Award for Best Lighting Design for Lady in the Dark and Chips with Everything, both for the National Theatre. Previously won an Olivier Award for Moonlight (Almeida and Comedy), Machinal (National Theatre), and Hysteria (Royal Court); and a Tony Award for An Inspector Calls on Broadway. Current projects: The Slab Boys Trilogy (Traverse, Edinburgh); A Midsummer Night's Dream (Venice); and The Fiery Angel (Bolshoi, Moscow). He is currently chairman of the British Association of Lighting Designers, and is visiting professor in lighting design at the Dramatisk Institut, Stockholm.