T. Ryder Smith

A.R.T.: Debut. Broadway: Equus (opposite Daniel Radcliffe and Richard Griffiths). New York: Sarah Ruhl's Dead Man's Cell Phone, David Greenspan's She Stoops to Comedy, Playwrights Horizons; Richard Foreman's The Gods Are Pounding My Head and King Cowboy Rufus Rules the Universe, Ontological; Will Eno's Thom Pain (based on nothing), DR2; Anne Washburn's Apparition (Connolly) and I Have Loved Strangers (Clubbed Thumb), Romulus Linney's Ambrosio, Signature Theatre Co.; Glen Berger's The Wooden Breeks, MCC and Underneath the Lintel (Drama Desk nomination, Outstanding Solo Performance), Soho Playhouse; Israel Horowitz's 3-actor, 40-character Lebensraum (Drama Desk Award, Outstanding Ensemble Cast); work with Target Margin, Arden Party, The Foundry, among others. Regional: world premieres of Doug Wright/August Strindberg's Creditors, La Jolla Playhouse; Charles Mee's Big Love, Actors Theatre of Louisville; Jeffrey Hatcher's Compleat Female Stage Beauty, CATF; Tanya Barfield's Of Equal Measure, Center Theatre Group LA; Sarah Ruhl's Passion Play, Goodman Theatre; and John Strand's Lincolnesque (Craig Noel award, Outstanding Lead Performance), The Old Globe. Film: Brainscan, Horrible Child, and the upcoming Happy Tears and MindFlux. Television: Nurse Jackie, Conviction, Law & Order.